1. Leonard McCome, Governor's Garden Party, Grenada Island, c. 1959
2. Harold Feinstein, Man and wife drinking Krueger beer, Coney Island, 1952
3. Bob Hollingsworth, Open Air Art Show, Union Square, San Francisco, 1949
4. Sanford H. Roth, Movie Pet Lovemaking, c. 1958
5. James MacPherson, Untitled, c. 1961
6. Ansel Adams, Roots, Foster Gardens, Honolulu, 1948
7. Ansel Adams, Mt. Williamson from Manzanar, Owens Valley, Calif., 1944
8. Leonard McCombe, Lonely Dog, Rio de Janeiro, 1955
9. John Bryson, A 'family' picture of the photographer's wife and dog, c. 1959
10. Leonard McCombe, Untitled, 1951
11. Morris H. Jaffe, Untitled, c. 1955–1960
12. Ken Heyman, Untitled, c. 1955–1960
13. Pirkle Jones, Untitled, c. 1955–1960
14. Ansel Adams, The White Church, Hornitos, California, 1946
15. Bob Hollingsworth, Untitled, c. 1955–1960
16. Ruth Bernhard, Harvest, 1953
17. Ruth Bernhard, Luminous Body, 1962
18. Ruth Bernhard, Classic Torso (Variant), 1952
19. Marvin D. Koehler, Untitled, c. 1955
20. Clemens Kalischer, New York Street Scene, Italians, c. 1955–1960
21. Ken Heyman, Young Crucifix, c. 1963
22. Walter Rosenblum, Monroe St., NYC, 1949
23. Jules Aarons, Late Shadows, c. 1955
24. Leonard McCombe, School Out, 1955
25. Peter Basch, One of the citizens of Salzburg keeps up with the news on market day, c. 1957
26. Don Worth, Untitled, c. 1955–1960
27. Marguerite Johnson, Las Mascaras, c. 1955–1960
28. Harold Zegart, Untitled, c. 1958
29. Gerard Oppenheimer, George Washington Bridge: Detail, c. 1955
As a photo editor for the British Journal of Photography, the Photography Year Book, and The Times of London, Norman Hall helped to elevate photography to the respected art form that it is today. Hall served as an editor of the Photography Year Book from 1954 to 1963. Through his careful curation of this yearly publication, Hall celebrated established and emerging photographers alike for their ability to "record the truth, not just because of any natural regard for principle but because they know that people who see photographs like to believe them" (Hall, Photography Year Book, 1962). This exhibition features American photographers’ images from Hall’s collection of works submitted to Photography Year Book. A true photographers’ publication, images were submitted and printed with full technical details on equipment, exposure, and development.
Many of the photographs in this exhibition, and the majority of Hall's selections for publication, focus on human interest. From fashion shoot outtakes to LIFE magazine assignments, many of these images were made for the printed page, to be featured in magazines and newspapers, but Hall and his audience valued them as works of art. The photographs in his collection provide a glimpse into the mid-century mindset of America and the larger world. He considered photography to be "the one true international language," (Hall, Photography Year Book, 1962) with the ability to reveal the similarities between people across the globe.
Reminiscent of Steichen's groundbreaking Family of Man exhibition – and indeed featuring some of the same artists – Hall's collection attempts an encyclopedic sampling of photographic styles and subjects. The American photographers captured universal moments that took place in their own homes and on unfamiliar streets. Many of the images were part of a series or photographic essay, and Hall chose the most appealing and thoughtful photographs for his books.
At this time, the proliferation of photographic magazines such as LIFE helped to create a wider audience for photography. On the gallery walls, one will find acclaimed professional photographers such as Ansel Adams, Ruth Bernhard, Louis Stettner, and Bob Willoughby. In addition, as in Hall's publications, the works of lesser-known photographers are featured alongside those of the established image-makers, and prove to be of equal technical and conceptual quality.
Mid-Century American will be on view at the Keith de Lellis Gallery through June 15, 2018.